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Sobre este libro
The translator Anthony Kerrigan has compared the work of Camilo José Cela, the 1989 winner of the Nobel Prize in Literature, to that of Louis-Ferdinand Céline and Curzio Malaparte. These are, Kerrigan writes, 'ferocious writers, truculent, badly spoken, foul mouthed.' However provocative and disturbing, they are also flat-out dazzling as writers, whose sentences, as rigorous as riotous, lodge like knives in the reader's mind. Cela called himself a proponent of 'uglyism,' of 'nothingism.' But he has the knack, the critic Américo Castro reminds us, of deploying those 'nothings and lacks' to construct beauty.
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